Comedian, writer & Filmmaker

Tag: <span>adelaide fringe</span>

Read The Room at the 2020 Adelaide Fringe!

Buy tickets to Read The Room here:

It’s been 5 years since I performed at a festival. 2015. Holy smokes. Weber, who I did “Blowhards” with had another child. It’s probably in it’s early 20s by now.

A lot has happened – I worked for 2 years as Broadcast / Digital Manager at Channel 44 and another year as the Digital Content Producer Mix1023. I learnt heaps and worked with some great people, but the hours meant not much performing for ol’ Chongas.

In 2019, I started a room called The Black Box Experiment – where I worked with a new Adelaide creative each month to develop a TV show idea in front of a live audience. Then we’d film the last show of the month with the help of Channel 44 and end up with a TV pilot. There are some really good shows in there and I really should have posted about it here, but you can see how it all went at the BBX website.

Read The Room is one of those shows. It’s an idea that I’ve wanted to try for years, and it’s kinda the reason why I set the whole Experiment up. And it turns out it’s really good.

Here’s the gist: I ask curly questions to the audience, and they answer them through their phones (because technology exists now!). Then contestants on try to see if they can pick which way The Room swings. There are variations on that theme – “would you rathers”, moral dilemmas, comparing this crowd to the national average, but essentially it’s REALLY fun – the audiences have been really positive about it, and I’m loving hosting it.

I’ve got a really fun sizzle reel (below) that I’ve started pitching around to production companies and TV networks, but in the meantime I’ve chosen to do a 2 week run at the Adelaide Fringe to get the show in front of more people and tinker with the format even more.

What is “Read The Room”? Watch this sizzle reel!

So here we are! Starting on Valentine’s Day and running for 2 weeks, you can catch Read The Room in Gluttony. Every show will have different guests, and new questions, so if you enjoy it, you’re more than welcome to come again!

On Wednesday Feb 19th I’ve got an Auslan interpreter coming along which will be a first for me, and towards the end of the season, I’m going to live stream a show so you’ll be able to cast your votes from OUTSIDE The Room. I’m still locking down a date for that one, so like my page at so you’ll get updates and that’s where the video will be.

I’d love to hear what you think of it – it’s the thing that I’m most passionate and excited about at the moment, but come help me make it even better for TV!

And of course, it’s more fun with more people in The Room voting, so bring your mates too!

You can get tickets here:

Read The Room Poster Adelaide Fringe
Read The Room at the Adelaide Fringe!

Blowhards – TREv Review (Adelaide Fringe)

More often than not at the Adelaide Fringe it’s the unknown shows you take a chance on that end up some of your favourites. This is what happened when I saw Jason Chong (Nova, The Project) and Chris Weber (Hilltop Hoods, The Transatlantics) in Blowhards. A comedian and a muso, together they charm audiences with their unique brand of musical comedy.

This show combined my three favourite things; parody songs, audience participation, and heart. And with an audience filled with what seemed to mostly be the artists’ family and friends, it had plenty of heart. Between their lively banter, Chong’s mother’s numerous interruptions and his constant references to his “Door-wife”, the show felt like a family function, but with better jokes and people who actually liked each other.

The duo played an impressive set list which covered a range of topics springing from his anecdotes, with a heart-felt ballad to his wife (and modern dating trends) and a Kasey Chambers cover lamenting the problems of being half-Asian, as some of my favourites. It’s not easy to pull off a comedy routine through music, but Chong and Weber made it look so effortless I could’ve listened to them for hours.

Throughout the performance they would interlude with a few opening bars of a Lionel Richie classic in various languages as part of “Hello Bingo”. With the top prize a set of tickets to see the Fringe show of another local act, it was great to see such a cross-promotional gesture for up-and-coming talent.

After taking a backseat for much of the performance, Chris Weber stood up and performed somewhat of a musical experiment worthy of Reggie Watts, which really demonstrated his skills (if expertly switching between trumpet and trombone all night wasn’t impressive enough).

The only downside to the performance would have to be venue. While the Elephant British Pub is an excellent location, it was a busy Friday night and there wasn’t a way to block out the rumble from patrons downstairs. This proved distracting in the beginning, but I was able to ignore it for the most part as the show got going.

In all, Blowhards is a simply excellent show. It’s funny and clever and arguably one of the best acts I’ve seen this Adelaide Fringe. If you’re looking for a good, enjoyable night out with easy bar access, definitely check them out.

– Simone Corletto, TREv

Original article:

Blowhards – RipItUp Review (Adelaide Fringe)

Adelaide comedian Jason Chong (Nova, The Project) has teamed up with musician Chris Weber (Hilltop Hoods, The Transatlantics) to create Blowhards, a show with music, comedy and bingo.

Chong is so natural on stage, often using self-deprecating humour to get the audience onside before hitting them with his sharp, improvised wit and cleverly written routine.

He plays guitar and sings to his audience about being Asian, his comedy pet hates, and sexting misfortune.

There’s also a bit of language bingo for fans of a little competitive gaming.

Weber is a talented brass musician who accompanies Chong on trumpet and trombone, complementing the comedy and adding his own comic interludes.

The pair work really well together; they bounce jokes off each other creating charismatic dialogue which moves the show along nicely.

Blowhards provides constant chuckles and some great belly laughs; the beauty of it being in the variation of the comic delivery.

Being a musical duo who write satirical songs has been done before, but using an accomplished brass musician who uses his instruments to provide comical sounds and amusing intervals is delightfully original.

Check out Blowhards for some musical enjoyment, lots of giggles and a spot of bingo.

Libby Parker, RipItUp

Original article: